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CUBA LIBRE – But Only Just….

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Cubana Airline’s 50 kilogram baggage limit seemed a mere curiosity until we reached the check-in counter. More to the point, until we reached within an football field length of it. In contrast to the dawn languor of the rest of Mexico City’s departure lounge, our hall was crammed with mountainous stacks of bags, boxes and parcels, all wrapped mummy-like in layers of plastic film. Oversized flat-screen TV boxes leaned against industrial sized air conditioning units, and truck tyres perched precariously on cocoon shaped packages like eagle nests atop of granite boulders. Doubt gnawed at my stomach like a bag full of rats as we jostled for position, wondering seriously whether any team could possibly process so much cargo before the flight should close.

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Thus, it was with more than a little relief that we squeezed into the cramped cloth seats of the Russian built jet bound for Havana. The Cubans, as I later learned, are not a group to exaggerate their approach to health and safety, so I was left mercifully alone to flout the usual ban on mobile devices as we taxied down to the runway and took shuddering to the sky. We were also spared the monotonous routine of seldom-watched emergency landing instructions. Clearly, both staff and passengers knew what happens when a 300 tonne airliner hits the deck, and that it takes more than a plastic mask or whistle to save your butt if that should ever occur.

I have heard of flat bed seating in classier regions of the jet, but still I was surprised when, moments after take off, the guy in front pushed his little button and launched his headrest towards me like a gigantic mouse trap, stopping millimetres above my lap. Likewise, I was taken aback to notice that our friendly check-in clerk was also the one steering the coffee cart when the time came for refreshments. We speculated whether he may well be the pilot too, having popped the jet into automatic while he did his rounds.

Despite the distressing fact that the full plane was obviously loaded with far more than the normal quota of luggage, we hit the Havana tarmac with only a mild thump, a fact which was celebrated with a hearty round of applause from all on board.

The immigration guy seemed more intent on offering a warm welcome than ensuring that his rubber stamp actually left some kind of impression on my passport, and was surprised that I should insist that he replace his ink to ensure no dramas when checking back out of this emerald island. By the time my bag tumbled belatedly onto the choked conveyor, a veritable caravan had amassed before the something to declare channel, some people controlling three trolleys full of goods at a time. We frisked our way to the green gate, eyeing off a gaggle of taxi drivers who were shouting for our attention a stone’s throw away behind the glass sliding doors.

Whoever designed the uniforms for the female customs officials clearly had a flair for Salsa. Although the tight blouse and short, body-hugging skirts were standard, it seemed that the women were allowed their own discretion when it came to shoes and stockings. The guardian of our escape route had chosen stilettos and fishnets for her day at work which must have indicated that she meant business. One look at the felt pen marking scrawled on my luggage tag and she pointed to the end of the caravan, presumably ordering me to line join that red channel queue with a machine gun round of Cuban Espanol. By this time, Aniko had passed through to the other side and stood staring in disbelief as I was ushered back into the sprawling warehouse by two subordinate men.

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My first impulse was to use my relatively lithe disposition and tourist status to cut the queue. I figured I could allow them to inspect my bag to ascertain that I was in fact an innocent victim of some x-ray misunderstanding, thereby escaping a fate that would take hours at best to resolve. After all, I only had one suitcase and a guitar – surely they could see I was not part of the smuggler brigade. However, no such opportunity was there to be had. Every entrance to the inspection area was clogged beyond hope, and the processing was taking place at glacial speed. After half an hour trapped behind tonnes of clothing and electronics without seeing a single person make it through to the outside, I embarked on my first attempt to change my plight. The commandant of operations was woman in her forties with formidable boots and a Coco Channel stance to whom I pleaded my case in the best Spanish I could muster. I appealed to her sense of decency given my status as a humble visitor, and the fact that my companion was waiting outside with no clue of what was going on. For all she knew, I was already on my way back to Mexico, and we were by now both tired and dehydrated. I think it would be fair to say that the boss lady did not give a shit about my woes, simply pointing again to the scrawl on my bag and shouting the words “special equipment,” before racing off to attend to other duties.

I searched the room for an alternative escape, advocated my freedom with various other workers, and racked my mind for another way to ease the pain. I noticed that only one of the Cuban importers had made it through the arcane registration system, while the hulking queue had increased depressingly in length. Finally, I spotted a little-used X-ray machine lounging at the back of the hall and resolved to use it to prove my innocence. I found the boss lady again and dogged her with such persistence that she relented and agreed to the test.

The result was damning – one microphone, a suspicious box, and thirty compact discs. How could a bona fide tourist possibly be lugging such unusual gear? I explained as best I could that I am a musician and a song writer. I need the mic to record my ideas as soon as they come up, and the CDs – well they are presents for my friends and hosts. Surely a country which boasts the highest concentration of musicians in the world can’t begrudge that?

Seems that they do.

In any case, I did manage to oil the wheels of bureaucracy, and I before long, I was shown to a cluster of chairs by a desk nearby, staffed by yet another Salsa-attired official. I pushed the protruding corner of my yet undiscovered laptop back into the pocket my guitar case and lay my suitcase on the ground before the desk. My imminent incarceration was interesting enough to attract the attention of several idle officers, so by the time I had begun rummaging through my suitcase to find the offending items, a chorus of exceptionally pretty young immigrasis had arrived to watch the fun. As I crouched by my bag, they perched themselves on chairs surrounding me, such that their stockinged legs were exactly within my line of sight. I felt my cheeks redden as I tried to keep my eyes on the scrambled contents of my hastily packed belongings. Eventually I located enough of the strange gadgets to satisfy her bureaucratic zeal and tried to explain just how innocuous and inexpensive they really were. The situation seemed hopeless until suddenly she realised that being a musician was the key to my problems.

You sing?” she asked with a faint blink, eyeing off the phallic shaped microphone in my hand.

Claro que si!” I responded, and we both paused in a moment of pregnant silence.

Cuba I thought. If there has ever been a time to do it then this is it. I heaved a deep breath.

Besarme,” I crooned to her in the best baritone I could muster, ensuring good contact with her deep brown eyes.

Kiss me.

Besarme mucho.”

Kiss me a lot.

Five pairs of mascara eyes stared open as the hall echoed with the rabble of post-flight din.

…..Como se fuera esta noche la ultima ves,” she responded in a voice so sweet that it brought tears to my eyes.

Like tonight may be the very last time.

The watching women broke into peals of girlish mirth, and I knew that my problem had been resolved.

Aniko, beside herself with concern, was bemused to see my smirk as I finally emerged through the entrance to that magical land of Cuba, and we resolved to find something refreshing to drink. How pleased we were to see that the cafeteria fridge was stocked with only two products – cans of beer and bottles of the same. With a toast and a clink, we readied ourselves for exciting times ahead.

Long live Cuba!

tres pesos

ALBUM LAUNCH SEPTEMBER 22

Check it out at simonthomasmusic on facebook

simon@simonthomasmusic.com

Guest appearance Friday September 1

The Bentley Blockade was a turning point in Australian history. The first time that the people of a region united to stand against the fossil fuel industry and block a destructive gas extraction project. Power to the people!

The Lismore Greens will hold a screening of the documentary about this action by David Shoebridge The Bentley Effect. I am very happy to be playing a few songs from the upcoming album in order to support this important event. I will be joined on stage by Brett Hamlyn and some special guests. Book now as tickets are limited and selling fast.

https://www.facebook.com/events/1930433143863189/?

 

ANNOUCEMENT – ALBUM LAUNCH

I am delighted to let you know that the Love Me Tinder album launch is booked for Friday September 22 at the Old Norco Factory, South Lismore NSW. I aim to make it the event of the year at that fabulous venue. Many thanks to John and Jenn for their incredibly generous sponsorship. Stay tuned for more details

Love Me Tinder artwork!

I can’t say how happy I am with the album cover. Had so many laughs with

this one already! Thanks a million to Bridie McKelvey.

Album artwork done!

A million thank yous to Bridie McKelvey for the amazing album cover. It is ready for the printers. Will share soon!

SINGLE LAUNCH – FLOOD-BOAT FANNY

STOP PRESS!
Single launch of my new song “FLOOD-BOAT FANNY” Tonight (Saturday 8) at the “Corporate Karaoke” event, Lismore Workers Club 7.30pm, which is raising funds for the “Cancer Compassionate Foundation.”
The song was written and recorded in the midst of cleaning the flood damage from my home and studio this week. Any profits from this song will be donated to flood relief. Please come and support this important event. It is a great opportunity to get together and unwind after the events of the past ten days.

Flood-boat Fanny

I am out at Deva Studios with my sound engineer Brett Hamlyn recording the vocals to a new song called Flood-boat Fanny.

Why this song, you may ask. Unfortunately only a week after arriving back in Lismore NSW, we were hammered by the most devastating flood in over 40 years. My own studio had 80 cm of water through it and we were left with a stinking muddy mess along with a lot of damage.

The bright side of this catastrophe has been the wonderful way the the community has pulled together to help each other out. I was touched by many people who took their own initiative to help out their fellow citizens by providing whatever service they felt like they could give in the face of such disaster. The situations depicted in the song are all real events I witnessed although I invented the names as I have no idea who these people were. Stand by for the release in a few days time.

100% of the profits will be donated to an as yet unspecified flood relief fund. (Some production costs will be recovered)

Hi everyone!

Guess what I did today?

Three cheers for anyone who guessed. Along with a little help from my good mate Dee Archarya, I created my own website! Enjoy.

HAPPY NEW YEAR – BHUTANESE STYLE

Losar, or new year is celebrated in Eastern Bhutan on the first day of the 12th month of the Tibetan calendar, rather than the first day of the first month like in most other places, for reasons now shrouded in history.

This year, Dzongsar Jamyang Khyenste Rinpoche (absent abbot of the Chokyi Gyatso Institute) recommended that the resident monks invite all who wish to come from the local villages around to enjoy festivities at their hillside monastery overlooking the rustic hamlet of Dewathang. The little community of 140 or so buzzed with excitement as the preparations took place in the days leading up to the event. This included plenty of practice of the popular local sport “khuru” which was to be a major focus of the Losar activities. In this game, massive (usually home-made) darts are lobbed across a distance of some 40 metres at a tiny target nestled inside a wooden frame festooned with luxuriant leaves and multi-coloured ribbons. It is not so easy to even strike this little board from such a distance, let alone score a bull’s eye so each successful throw is celebrated vociferously with a ritual song and dance. Following this, the lucky player is awarded a long wide ribbon to hang around their waist in a colour corresponding to the spot where their dart struck the target. Those whose throws become too wayward, by contrast, are landed with a large phallic object to hang from their belt supposedly to ward off the evil spirits which are obviously inhibiting their success. The monks used a long dangling purple eggplant for such purpose!

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A major part of the fun is for people not involved in the game to crowd around the target, gesturing and taunting as the player is taking aim only to scatter like bunnies if the airborne missile soars off in their direction. Mind you, I noticed that men seem far more likely to to engage in this activity – the women preferring to keep a sensible distance away.

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When the big day arrived, people began to stream in from miles around, most of them dressed in fine brilliantly coloured hand loom garments as tradition would dictate. The first feast of the day for a visitor like myself was one for the eyes.

Important item number one on the Losar agenda was the blessing of the ladies Khuru teams by the charming and ever humble resident teacher Khenpo Sonam Tashi.

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And so the games began!

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At midday, the gathered crowd (numbering in the hundreds) were treated to a scrumptious meal, prepared and served by the monks themselves who, contrary to tradition, were the last to eat. The tall stately temple with its intricate gold relief sculptures juxtaposed against the simplicity of smooth sandstone Buddha images was lined with mats and carpets to become an impromptu eating hall.

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The afternoon saw endless more rounds of khuru, enough snacks to feed the Bhutanese army as well as generous portions of beer and locally brewed alcohol such as arah, barley beer and a strange lumpy rice wine called, appropriately enough, “chang-kee.”

As the short winter day drew to a close, we were mesmererised by a gorgeous fiery sunset which cast soothing pastel shades on the tall hills around and the vast Indian plains spreading out below.

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Finally, a huge bonfire was lit and we were treated to song, dance and even a little rap deep into the night performed by monks, local villagers and even a couple of stray foreigners.

It was a joyous and wonderful occasion, surely a fitting way to welcome in the new year.

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TASHI DELEK TO ALL!